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10 Safari Photography Tips
Gabe Weisert
2007-09-28 00:00:00.0
© Gabe Weisert
The Rule of Thirds
Divide your frame into a grid of nine equal squares, and align your subject with the intersections of those squares. In other words, avoid placing your subject (or the horizon) smack dab in the center of the frame.
© Gabe Weisert
Creative Cropping
You can lend your safari photos a much needed sense of proportion during the editing process. The above photograph was cropped in order to a) get rid of the Range Rovers in the distance and b) de-center the subjects.
© Gabe Weisert
Experiment with Depth of Field
Adjusting your aperture to wide settings (say, 1.4 or 2.8) causes your subjects to pop in focus against a gauzy background. Longer lenses will do this naturally, so telephotos can be useful in shooting close-ups as well.
© Gabe Weisert
Imperfect By Design
Don't delete pictures until you see them on your monitor. The above photograph was initially considered a throwaway for obvious reasons, but on further consideration, turned out to be a tongue-in-cheek keeper.
© Gabe Weisert
Look for Moments, Not Just Portraits
This means spending some time behind the viewfinder waiting for points of interaction, and adjusting your shutter button to the “rapid fire” setting.
© Gabe Weisert
When in Doubt, Focus on Those Lion Eyes
According to Weise, "Human beings look at an image and look straight into the eye of the subject. If the eye is not sharp, the image is a throwaway."
© Andy Biggs
Let the Scene Dictate the Composition
The instinct with a zoom lens is to keep it fully extended and shoot as closely as possible, but that runs the risk of severing various body parts, and besides, an entire portfolio of close-ups can be boring. Look for trees, mountains, and other nearby features that help create an overall scene.
© Gabe Weisert
Get up Early
Photographers are crepuscular creatures – they thrive at dawn and at dusk. A vast majority of the photographs seen in glossy coffee table books are taken during these "golden hours." Take advantage of early morning game drives, and wait until the sun goes down before heading back to dinner.
© Gabe Weisert
Adjust Your ISO to Capture Motion
When light is low, you may have to bump up your ISO to 400 or even 800 in order to freeze motion (then again, you may want to keep it at 100 for a more impressionistic, blurring effect).
© Gabe Weisert
Keep your Slideshows Short
We've all been assaulted with near interminable online slideshows. James Weis recommends around thirty shots tops.